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Fall 2025
Volume 24, Issue 2
White Voice, Black Pain:
Eminem, Voice Lending, and the Politics
of Cross-Racial Solidarity in Hip-Hop
Nkosilathi Moyo
Humanities Amped
Performativity and Agency in Sam Greenlee's
The Spook Who Sat by the Door
Robert Lance Snyder
University of West Georgia
Unpacking the Frida Kahlo Barbie
Gabrielle Stecher Woodward
Indiana University
Bloomington
Conversations with
Scholars of American Popular Culture
Featured Guest
Amanda D. Lotz
Editor
Leslie Kreiner Wilson
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